The McCoys and the Weavers are two feuding hillbilly clans. Elmer Fudd, Peacemaker, attempts to end the fighting; but violence and zaniness win out.

A publisher is nearly framed for murder, but he appears to have been goaded by the blackmailer who has also blackmailed the publisher's wife.

Jeong-hye and Ji-hwan are a couple who have been living a wandering life due to debt. Ji-hwan makes a secret deal with Man-soo, the new owner of their previous house. The couple can stay at Man-soo's house, but in exchange, Ji-hwan must have sex with Man-soo's wife, Tae-hee. Man-soo also ends up taunting Jeong-hye secretly, using her unemployed husband as bait. Later, Jeong-hye and Ji-hwan eventually find out that they have been secretly played by the couple and get frustrated. In the end, Man-soo and Tae-hee propose a new offer to the couple.

Natalie and Joshua appear to be the picture-perfect couple, but looks can be deceiving. When Natalie discovers her husband has led a secret life, she is forced to deal with losing everything she loves. Newly divorced and soured on relationships, Natalie is picking up the pieces of her shattered world. In the process of healing, she meets a new man who challenges the boundaries of her trust and her ability to fall in love again.

暂无英文版的简介，请添加内容帮助我们完善数据库。

Arthur, a young Korean-American, tries to manage one brother, sentenced to spend his life in jail; his other brother, a drug addict; and pressure from their Korean-born mother.

Arthur, a young Korean-American, tries to manage one brother, sentenced to spend his life in jail; his other brother, a drug addict; and pressure from their Korean-born mother.

A queer couple retreats to an empty family house, where their relationship faces supernatural forces and reality begins to blur. As isolation deepens, they confront their deepest fears and transformations.

Benjamin and Dom have been best friends since they were kids. On their last night together, Dom plans to send Benjamin off with a pocketful of cash. All he has to do is deliver a package over the border for a friend...

THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.